Rough cut for review — pre-master. Steve's Leicester Square set, cut on topic (never on laughs) so no gag is split. This is the board feed — his voice out front, the room mixed underneath (room level is a taste call, adjustable at master). Play each track, hit Approve or Flag, drop a note. Two bits are marked JR's call — flag them in or out before anything goes to Steve.
Release passes — indicative
Legal + commercial · Live at Leicester Square
Two editions off this one cut — Uncut (the full set) and Commercial (UK + radio-safe). Split at release, not in the edit. both · check · Uncut only · 📻 radio-offerable
21 clear
6 check
2 Uncut-only
0 radio-safe
| # | Track | Legal | Edition | Radio | Notes |
|---|---|---|---|---|---|
| 01 | “I played you Kate Bush” — she's metal | Commercial + Uncut | · | no material risk — strong language only · Verify no embedded Kate Bush recording (pre-show/walk-on music) bled into the audio; if present, clear PRS/mechanical. Verbal name-check alone = clean. | |
| 02 | English customer service — the two-room hotel | Commercial + Uncut | · | no material risk — strong language / general adult theme · clean; sustained strong language | |
| 03 | Corporate, the windows & no-smoking — Janet the maid | Commercial + Uncut | · | no material risk — strong language / general adult theme · clean; sustained strong language | |
| 04 | Living in London — the tube & the tube-juice hands | Commercial + Uncut | · | no material risk — crude adult humour, strong language only · clean; crude but no clearances | |
| 05 | “What a great crowd” — 25 years, boring cunts | Commercial + Uncut | · | no material risk — strong language only · clean; sustained strong language | |
| 06 | Wokeism & the metal outsider — dressing to be discriminated against | Check | · | edgy political material touching sexual orientation/discrimination (gay-bashing anecdote); arguably satire/opinion — needs qualified legal eye · clean; no music to clear | |
| 07 | Getting old — stay alive until you're dead | Commercial + Uncut | · | no material risk — dark/macabre gag (“skin of a Japanese boy”) is non-sexual, non-hateful absurdism · clean; dark adult humour | |
| 08 | The oldest bloke in Sydney — heat wave & British Rail | Check | · | casual pejorative use of “gay” (sexual orientation) + dark euthanasia/shooting gag; borderline — needs legal eye · clean; sustained strong language | |
| 09 | Time doesn't exist — the 2013 breakdown begins | Commercial + Uncut | · | no material legal risk — personal breakdown/suicide theme discussed as lived experience · clean; self-harm/suicide references — DSP sensitivity flag | |
| 10 | The balcony, Gabrielle & the Australian doctor — “you broke your brain” | Commercial + Uncut | · | no material legal risk — suicide/breakdown discussed as personal narrative · clean; suicide references — DSP sensitivity flag | |
| 11 | Anti-depressants — “effects” & the side-effects list | Commercial + Uncut | · | no material legal risk — comedic drug/medication discussion, no promotion or incitement · clean; drug + self-harm references — DSP sensitivity flag | |
| 12 | Recovery, shamans & McDonald's vs the psych ward | Commercial + Uncut | · | no material legal risk — drug/psych-ward material, no incitement · clean; drug/psychosis references | |
| 13 | Enya — the old punk manager & the male-feminist handshake | Commercial + Uncut | · | no material risk — mild gender/feminism jab, strong language · clean; Enya name-check only, no recording to clear | |
| 14 | Drugs cost a fortune in Australia — swimming to stay unhealthy | Commercial + Uncut | · | no material legal risk — comedic drug references, no incitement · clean; drug references | |
| 15 | Ketamine — horse tranquiliser & “I'm from Devon” | Commercial + Uncut | · | no material legal risk — comedic drug references, no incitement · clean; drug references | |
| 16 | Heroin — the Porto-chicken junkie couple & the Calvin Klein shirt | Commercial + Uncut | · | no material legal risk — dark drug/addiction material, no incitement or hatred · clean; drug/addiction references + crude content | |
| 17 | Dating, ignore women & the gender-fluid guy | Check | · | crude sexual mockery touching gender identity (gender reassignment, a protected characteristic); arguably satire — needs legal eye · clean; no music | |
| 18 | Newspapers are occultic — “become our magic wand” | Commercial + Uncut | · | no material risk — conspiracy/occult riff, opinion · clean; conspiracy-flavoured opinion | |
| 19 | Scorpio & the Cancer ex — the age of Aquarius, dualism & shadow | Check | · | trans/gender-identity jab (“men can have periods”) + necrophilia wordplay aside; borderline on protected characteristic — needs legal eye · clean; no music | |
| 20 | What have men ever done for us — men built the world | Commercial + Uncut | · | no material legal risk — battle-of-the-sexes opinion comedy, no incitement to hatred · clean; gender-politics opinion | |
| 21 | Get your tool belts — the women's-march signs & the strap-on | Commercial + Uncut | · | no material legal risk — crude battle-of-the-sexes comedy, no incitement to hatred · clean; crude sexual/gender content | |
| 22 | Everyone can do everything — the fireman & the male stripper | Commercial + Uncut | · | no material risk — wokeism/participation satire, opinion · clean; sustained strong language | |
| 23 | “A guy with a sense of humour” — Tinder & the wrong guys | Commercial + Uncut | · | no material legal risk — dating/gender opinion comedy, no incitement to hatred · clean; gender-opinion content | |
| 24 | Woman James Bond — the Alien retelling & “you are nature” | Check | · | references race + sexual orientation (“fat black lesbian”) in a casting-swap critique; arguably satire/opinion but touches protected characteristics — needs legal eye · clean; no music | |
| 25 | Hormones, the kid with the beard & tackling Robert Hogan | Check | · | crude reference to a pubescent schoolboy's genitals in a biology/puberty context — non-sexual but references a child's body; risky, needs qualified legal eye · clean; flag content for legal review, not a music clearance | |
| 26 | Masculine & feminine — the ocean & “make me a sandwich” | Commercial + Uncut | · | no material legal risk — gender-essentialism opinion + crude sexual gag, no incitement · clean; crude sexual/gender content | |
| 27 | The transitional age — the psycho-sexual expert | Uncut only | · | paedophile-shock setup — links small breasts to paedophilia and discusses becoming a paedophile; sexualised reference to children = automatic RED + certain DSP/broadcaster rejection · UNCUT ARCHIVE ONLY — do not deliver to any DSP/broadcaster; content flag, not a clearance issue | |
| 28 | The lockdown — “I call it knowledge”, the fire & the fear of death | Commercial + Uncut | · | no material legal risk — COVID/lockdown conspiracy + colonial-history opinion; lawful opinion, not incitement · clean; COVID/lockdown conspiracy content — some platforms apply misinformation policies, monitor | |
| 29 | The callback close — goodnight | Uncut only | · | paedophile-shock callback — explicit sexualised reference to a child (“massive... especially for an eight-year-old”); automatic RED + certain DSP/broadcaster rejection · UNCUT ARCHIVE ONLY — do not deliver to any DSP/broadcaster; content flag, not a clearance issue |
Indicative only. Legal is a first-pass risk read for planning — Albert formally ratifies before any release. "Uncut only" = leave off the Commercial/UK edition, keep for the Uncut (US) edition.